Archive for August, 2006

New Orleans facing ‘hard three to five years’

| 28/08/2006 | 0 Comments
New Orleans facing ‘hard three to five years’

You asked Peter Henderson, reporting from New Orleans for Reuters, how the debris clean-up is going in the city and along the coast. “There are still massive debris piles and twisted houses all over the worst hit areas, including Lakeview and the Lower Ninth Ward,” Henderson writes back. Mayor Ray Nagin on Sunday told Lower Ninth Ward residents “it would be a hard three to five years. Water in the Lower Ninth is still not potable,” he added.

no_b.jpgAnd as for NickA, who asked why the rebuilding in Louisana is lagging Mississippi’s recovery, Henderson writes: “I visited the coast about a week ago and it is still flattened. Most of the debris is clear but, aside from the casinos in Biloxi, there is hardly any sign of rebuilding on the coast.” (Pictures by Reuters, New Orleans 2006)

More replies from Henderson

c reimer: What has the City of New Orleans been doing for the last Year? What has the State of La. been doing for the Last Year?
Henderson: Trying to clean up and rebuild. The success is a matter of debate. One important issue: Federal funds to homeowners are expected to start flowing very soon. Mayor Ray Nagin largely blames slow funding for not repairing faster, and also notes the incredible scale of the devastation. The city re-elected him in May, and he was greeted with cheers at a press conference in the Lower Ninth Ward on Sunday, but he has plenty of critics who say he does not have a grand plan for rebuilding.

Jan from Houston: When Katrina hit, the US Army Corps of Engineers had almost completed Hurricane Protection Project, no_a.jpgintended to secure the levees and shield the city (1-20 feet below sea level) from Cat. 3 storms. 80% of the city was flooded by Katrinas Cat. 3 Surge. Whats the story? Is this just going to take time to get right? Hows the debris clean-up looking?Henderson: Army Corps chief Lt. Gen. Carl Strock said recently that protection was probably better now because of a few improvements such as flood gates which close the canals that storm waters rushed into last year, but he declined to say the city could survive a Category 3 storm. Also, closing the flood gates sharply reduces the city’s ability to pump out rainwater collecting in the streets, which could also mean flooding. In addition to repairs to get the levee system up to required standards (repairs to date were intended to bring it to pre-Katrina levels, which were below standards in some cases), the Corps is preparing a report due Dec. 2007, on what would be necessary to provide Category Five hurricane protection.

CarlB says: … What we have is a system which is fighting with the river instead of working with it.
Henderson: The book Rising Tide by John Barry addresses this head on. It explains how humans have attempted to tame the rivers and how the system of only using levees failed in the 1927 flood. Now there are ’spillways’ to reduce pressure, at least. I am only half way through the book but it is very detailed.

SuzyQ says: As Carl B says – work with not against Nature then they might not be so disappointed with the results
Henderson: Many critics in the city make similar points and complain of a leadership void. Mayor Ray Nagin’s answer to that question is that individuals and the market should decide on where to rebuild. The current effort is focused on neighborhood plans which will be integrated into a master plan by the end of the year.

PhilB says: What has the mayor of N.O. or the governor of Louisiana learned from the experience? 
Henderson: I’ll ask that question.

Daphiny says: New Orleans will always be a part of my heart , and im hoping to return oneday, not this year , maybe next . but i will return
Henderson: You are not alone. Half of the city’s roughly 450,000 pre-Katrina residents are still displaced, and while many of them appear to be packed into surrounding suburbs, I daily meet people traveling hundreds of miles to look at their houses and try to decide what to do.

One year after Katrina: Questions on New Orleans

| 23/08/2006 | 0 Comments
One year after Katrina: Questions on New Orleans
EmailGoogle GmailStumbleUponFacebookShare

               no3.jpg                                   
There’s plenty of frustration to go around at the slow pace of rebuilding, Peter Henderson has discovered. He’s reporting for Reuters from the city, interviewing people like Sigma Frazier. The 76-year-old is convinced neither the city nor the federal government has been helping enough. (Read more here). no2.jpg

He’s also met some newcomers, like Guatemalan Antonio Santos, 31, who moved from Houston since jobs were plentiful and wages were up to 50 percent higher. (Read more here)

Do you have a question or comment for Henderson about the state of life in New Orleans? Post to the comment link below and he’ll respond here. (Update on pictures: Top picture, New Orleans, August 2005, and Spike Lee at the premiere for “When the Levees Broke: A Requiem in Four Acts”, Aug. 18)

EmailGoogle GmailStumbleUponFacebookShare

‘We’re going to enjoy living here’

| 21/08/2006 | 0 Comments
‘We’re going to enjoy living here’
EmailGoogle GmailStumbleUponFacebookShare

Gene and Laura Hindeland bought a house down the street from one of the canal breaches which flooded the city. The dirty line above their heads was left by the Katrina floodwaters. The Hindelands explain their decision to move to New Orleans below.

EmailGoogle GmailStumbleUponFacebookShare

Making a home in New Orleans

| 21/08/2006 | 0 Comments
Making a home in New Orleans
EmailGoogle GmailStumbleUponFacebookShare

Gene and Laura Hindeland moved from Houston seeking adventure and a chance to help New Orleans rebuild. View the street and house they bought in the city earlier this year below and read more on risk-takers like the Hindelands here. Some are looking to do well, others want to do good, and many want both.

EmailGoogle GmailStumbleUponFacebookShare

Maybe I’ll stay at home…

| 10/08/2006 | 0 Comments
Maybe I’ll stay at home…
EmailGoogle GmailStumbleUponFacebookShare

   boston.jpg               
Airline stocks stumbled after British police said they foiled a bomb plot on jetliners. Investors fear people are going to travel less. Cancelled flights and images of travelers pouring the contents of their carry-on luggage into clear plastic bags in U.S. and British airports may discourage even more flying.

Some analysts expect an overreaction is taking place. Are they right or are you planning to travel less on planes?

EmailGoogle GmailStumbleUponFacebookShare

News photography and Photoshop

| 08/08/2006 | 0 Comments
News photography and Photoshop
EmailGoogle GmailStumbleUponFacebookShare

(Editor’s note: Reuters.com asked Gary Hershorn, News Pictures Editor for North America, to discuss some of the tools photojournalists have used in the past — and what they use now — to produce pictures. On Monday, Reuters withdrew all 920 photographs by a freelance Lebanese photographer from its database after a review showed he had altered two images. You can see the images and reactions from readers here. Reuters, also the publisher of this report, tightened procedures for photographs from the conflict between Israel and the armed group Hizbollah and apologized for the case. You can read the company’s statement here. You can send a comment to Hershorn from the link below and read his interview with NPR today here) 

  

Photojournalism tools

gary.jpgNews photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today.
 
Back in the days of the darkroom, we used very basic tools to develop prints. In black and white printing, the contrast of a picture was controlled by a paper’s grade. The higher the number of the paper, the higher the contrast. In the wire agency darkooms I’ve worked in, we typically used grades 3,4 and 5. We allowed “dodge and burn” to lighten or darken areas. A dodge tool was made by taping a small piece of cardboard the size of a quarter onto a paper clip. A burn tool was a piece of cardboard the size of an 8×10 sheet of paper with a hole in the center. If a print had dust spots caused by a dirty negative, we used Spotone, a photographic paint that was dabbed onto a print with a very fine paint brush to eliminate the unsightly marks.
 
One other tool that was allowed when printing color pictures was changing color balance. This was done by placing filters between the light source of the enlarger and the paper that the image was being printed on.
 
When we moved to scanning negatives and then to shooting digital, we began using Photoshop. This program allows us to do the same things we did in the darkroom. Changes in contrast, dodging and burning and color balance are now done with software. The most controversial tool in Photoshop that we use is the cloning tool. The only accepted use of this tool is to clear dust from the image. We have a zero tolerance policy when it comes to using the cloning tool to change content, and by that we mean removing something that exists in a photo, moving or replicating it or adding to a photo.

The tools we use in Photoshop are levels, curves and saturation for changing contrasts; and, color balance to bring the image back to the way the natural eye would see the color. Here is what we tell our photographers in the Handbook of Reuters Journalism.

Photoshop is a highly sophisticated image manipulation programme. We use only a tiny part of its potential capability to format our pictures, crop and size them and balance the tone and colour. For us it is a presentational tool.

The rules are no additions or deletions, no misleading the viewer by manipulation of the tonal and colour balance to disguise elements of an image or to change the context.

Photoshop is a powerful image processing program with many more tools to help photographers produce the best quality image they can for the type of photography they do. There is not a Photoshop program for use by news photographers and another for advertising, where image-changing is tolerated. What we in the news photo community need to regulate is what tools are used for photojournalism and what are not.

 

  

EmailGoogle GmailStumbleUponFacebookShare
Miami Culinary Tours